Friday, December 10, 2010
Chewing Gum Without The Sticky Mess
Tuesday, November 23, 2010
Homeless But Honest
Sunday, November 14, 2010
Perfect Weather for This Punter
Saturday, November 13, 2010
That's A Lot of Money In Her Underwear
Friday, October 22, 2010
A Whisky for the Road?
Tuesday, October 19, 2010
Is Your Ride a Ticket Magnet?
Most Violations ("Spirited Vehicles") | Least Violations ("Cautious Vehicles") |
---|---|
Mercedes-Benz SL-Class Convertable (404%) | Buick Ranier SUV (23%) |
Toyota Camry-Solara Coupe (349%) | Mazda Tribute SUV (26%) |
Scion TC Coupe (343%) | Chevrolet C/K- 3500/2500 Pickup (26%) |
Hummer H2/H3 SUV (292%) | Kia Spectra Sedan (27%) |
Scion XB Hatchback (270%) | Buick Lacrosse SUV (32%) |
Mercedes-Benz CLS-63 AMG Sedan (264%) | Saturn Aura Hybrid Sedan (37%) |
Acura Integra Coupe (185%) | Oldsmobile Silhouette Minivan (37%) |
Pontiac Grand Prix Sedan (182%) | Chevrolet Uplander Minivan (38%) |
Mercedes-Benz CLK 63 AMG Sedan (179%) | Hyundai Tucson SUV (38%) |
Volkswagen GTI Hatchback (178%) | Pontiac Vibe SUV (39%) |
So, there are no surprises that sportier and more exotic models such as the Mercedes sedans and coupes are indeed more likely to get you ticketed. While it may be arguable whether this is because they tempt you to drive them more aggressively or whether they simply stand out from the other traffic, my guess is that in most cases, the first problem is the more likely culprit. In my opinion, though, the presence of two Scion models on this list lends credence to the "stand-out" theory. Likewise, I expect that most of the models on the "cautious vehicle" list could not be found on many dream car lists. It struck me that a large number from the "less likely to be ticketed" list are no longer made. As a sobering note of the current economic climate, though, even the list of "cool" cars includes models from car brands no longer with us (i.e., Hummer and Pontiac).
Monday, October 18, 2010
NFL Team Popularity Contest
1. Dallas Cowboys | 12. San Francisco 49ers | 23. Carolina Panthers |
2. Indianapolis Colts | 13. Philadelphia Eagles | 24. St. Louis Rams |
3. Green Bay Packers | 14. Denver Broncos | 25. Kansas City Chiefs |
4. Pittsburgh Steelers | 15. Washington Redskins | 26. Cleveland Browns |
5. New Orleans Saints | 16. New York Jets | 27. Cincinnati Bengals |
6. New England Patriots | 17. Houston Texans | 28. Tampa Bay Buccaneers |
7. New York Giants | 18. Oakland Raiders | 29. Buffalo Bills |
8. Minnesota Vikings | 19. Baltimore Ravens | 30. Detroit Lions |
9. Chicago Bears | 20. San Diego Chargers | 31. Seattle Seahawks |
10. Atlanta Falcons | 21. Miami Dolphins | 32. Jacksonville Jaguars |
11. Arizona Cardinals | 22. Tennessee Titans |
Now I'm just a blind Bambi, but this list validates my expectations that teams in more populous regions and/or teams which have had recent success are, in general, the more "popular" teams nationwide. If you surveyed fan groups, however, I would certainly expect that according to each, their team and its fans are unquestionably the "best." The fact that even teams which perennially struggle have fans that take pride in their team and are relentlessly optimistic about future victories, though, is an important element of the game.
Wednesday, October 13, 2010
Michigan Couple Pulls Off A Triple Triple
Monday, October 4, 2010
Wasted Food Equals Wasted Energy
Wednesday, September 29, 2010
Mandates for Many Miles Per Gallon
Friday, September 24, 2010
Road Test Playlist
On USA Today's website, I ran across an article which included a playlist for for testing car audio quality. The expert selecting the songs was General Motors audio engineer Matt Kirsch. GM also posted the tracks as a mix at the iTunes store ($12 to buy it). His list includes 1) "Don't Know Why" by Norah Jones (you should listen for Norah's voice to sound natural, and centered in front of you), 2) "Diamonds and Rust" by Joan Baez (you should listen for strong vocals, and for the instruments to be set across a wide sound stage), 3) "No One" by Alicia Keys (you should listen for clarity in Alicia's vocals and spacious background sound), 4) "Hotel California" by the Eagles (you should isten for the clarity and dynamic range during the opening guitar solo, and of course the powerful drum beat), 5) "Boom Boom Pow"by the Black Eyed Peas (you should listen for powerful, accurate bass beats, even at full volume), 6) "Rock that Body" by the Black Eyed Peas (you should listen clear, intelligible lyrics over the powerful, persistent bass beat), 7) "Hide and Seek"by Imogen Heap (you should listen for the enveloping ambience of the song, building on the openness and dynamic vocals), 8) "He Mele No Lilo" by Mark Keali'i Ho'omalu from Lilo and Stitch (you should listen for the ambience and staging as the children's chorus is offset by powerful bass), 9) "Bird on a Wire" by Johnny Cash (you should listen for the clarity in Johnny's distinctive voice, and his guitar to sound natural and free of any coloration), and 10) "Packt Like Sardines in a Crushd Tin Box" by Radiohead (you should listen for the punch from the percussive bass, and the ring of the steel drums).
Now I'm just a hillbilly and certainly not a sophisticated audiophile. In considering the range and types of musical sound covered by this list, however, even I can appreciate how these songs could be useful in comparing audio systems.
Saturday, February 13, 2010
A Hollywood Star for Ringo
I'm not sure why this surprised me, but I recently saw a news article that this past Monday, Ringo Starr was honored with the 2401st star on the Hollywood Walk of Fame. This event also marked the marked the 50th anniversary of the sidewalk attraction's groundbreaking. This Blind Bambi's first thought was: "Why Ringo Starr at this point in time?." I would have thought that all of the Beatles would have long ago received their stars. It turns out that the Beatles, as a group, were originally honored with a star in 1994, but the honor was short-lived as Capitol Records had the star removed weeks later. The removal was based on the label's concern that the installation of the star was not attended by at least one member of the band. In 1998, though, the British band was given a new star. After John Lennon's death in 1980, he was honored with a star in 1988. Just last year, George Harrison, who died of cancer in 2001, was also awarded a star. Apparently, Paul McCartney's star has been approved, but he has yet to schedule a ceremony. At some point, then, it looks like all of the Beatles will be immortalized on the Walk of Fame.
Curious, I did some simple research into how this process works. The Hollywood Chamber of Commerce Walk of Fame Committee selects entertainers each year to receive stars on the Hollywood Walk of Fame. The star, however, doesn't come for free. The honoree must agree to attend a presentation ceremony within five years of selection, and a fee (currently $25,000) must be paid, by the honoree or a sponsor, to a trust which pays for installation, security, publicity, staging, and maintenance costs.
Saturday, February 6, 2010
Money and Happiness
Friday, February 5, 2010
Streets Paved With Gravel, Not Gold
Thursday, February 4, 2010
Soon It Will Be Super Bowl Weekend
Friday, January 29, 2010
2.7 Trillion Digits of Pi -- With a Desktop Computer!
Saturday, January 23, 2010
Olympic Cash Clash
Friday, January 22, 2010
Racist Cameras
Thursday, January 21, 2010
Migration to Myopia
Wednesday, January 20, 2010
White House Worth Wilts
Saturday, January 16, 2010
Slashing Prices on Space Shuttles
Friday, January 15, 2010
Is Football Action Packed? Maybe Not So Much.
Thursday, January 14, 2010
Where's Your Spam Coming From?
Wednesday, January 13, 2010
Smarter Search Engines?
Tuesday, January 12, 2010
The Physics of Liquid Droplets
Monday, January 11, 2010
American Information Consumption
Friday, January 8, 2010
Mistaken Fortunes (And Not)
Sunday, January 3, 2010
How Violent of an Influence are Video Games?
I was scanning the December 4th issue of Science magazine and came across a short summary entitled "Doom Didn't Make Me Do It." It explained that much study has been expended on the subject of whether or not violent TV programs and video games cause people to be violent. Now, Christopher Ferguson, a psychologist at Texas A&M International University has published a graph showing that video game sales have soared and youth violence has actually decreased. He contends that this demonstrates that lab-based experiments showing increased "aggression" from exposure to violent TV programs or video games may bear little relationship to actual violence. Others contend that this graph does little to dispel their belief that early viewing of violence by children will likely negatively influence later behavior. What makes sense to me is that this is just a piece of a much bigger context. Most people would probably advise avoiding activities which teach young children inappropriate aggression or desensitize them to violence. If TV programs and video games are the major influence in a young person's life, though, I don't think many people would see that as a good situation. It seems to me that, in most real world situations, children are also going to be heavily influenced by the way they are treated by others and how they see adults and their peers around them behave toward each other. It seems to me that these studies cannot adequately factor in variations in this bigger contextual environment. Also, it occurred to me that an increased allotment of time to video games gives people less time to perform real-world violent acts. I'm not saying that this is the best way to keep kids off the streets and out of trouble nor the worst. It may or may not have the positive character building aspects that we often attribute to sports, clubs, or other activities, but like these, video games and TV programs are a time commitment of sorts. My philosophy is that, in many things (not all) moderation is a good approach. With kids, video games, and TV, that is kind of where I fall. I'm not sure that it is necessary or helpful to shelter children from everything bad on TV and/or video games. Neither would I advocate unfiltered access to things such as TV and/or video games. What seems most important to me, however, is to provide them a greater context which teaches them the values that you feel are important.
This is pretty complicated and controversial stuff for a Blind Bambi like me to ponder. I think my New Year's resolution should be to address less weighty issues in future posts.
Friday, January 1, 2010
Some Interesting Movie Factoids
Happy New Year! My personal outlook for 2010 is very bright and I truly hope that we all make this a very good year.
I really enjoy good (and sometimes even not so good) movies. As a somewhat recession proof industry, the movie industry just had a record breaking year. Even at current box office rates, research firm OTX discovered in a survey that consumers ranked moviegoing as the best value for their entertainment dollar and this has apparently been reflected in the marketplace. According to a Los Angeles Times story box-office revenue was up 8.6% for 2009 in the U.S. and Canada and was projected to ultimately top $10 billion, an all-time record. This article also points out that moviegoers in 2009 viewed a broader variety of offerings. Whereas in the past, a few "mega-hits" accounted for most of the ticket sales, in 2009, an unusually large number of pictures, including "The Hangover," "The Proposal," "The Blind Side" and "Paranormal Activity," played for weeks and netted more than $100 million, based more on buzz via via texting, Twitter and Facebook than traditional movie industry marketing.
Today, I came across an article (10 Things Movie Theaters Won't Tell You) on SmartMoney.com that I found very insightful. If you are interested, I would encourage you to read it. I will, however, attempt to highlight some of the facts provided in this story:
- Revenue from the on-screen advertising shown before the previews start has been increasing by roughly 10 to 15 percent a year for the past several years. In 2003, marketing firm Arbitron peformed a survey that found two-thirds of audience members didn't mind them. Recently, however, more than 3,400 moviegoers cared enough to sign an online petition demanding Regal Cinemas stop showing ads before movies.
- Coming digital projection technology may result in major change to the cinema industry. For instance, they may be able to broadcast live events on slow days, when theaters are usually "lucky to fill 10 percent of their seats." If theaters move to an iPod-like movie distribution and projection capability, more opportunities for independent filmmakers to get their work screened could open up.
- Theaters pay somewhere between 35 and 70 percent of box office receipts to the studio as a film-rental fee. In most cases, the studio takes the biggest cut in the first week, and the percentage drops from there. Therefore, from the standpoint of the local theater, they make more money if you don't come on opening night.
- "Premium experience" amenities (e.g., 3-D, IMAX, etc.) are in demand. Regal Cinemas, for example, had 168 digital 3-D screens out of a total 6,782 screens nationwide by the end of 2008, but plans to up that number to 1,500 in the next few years.
- Concessions typically account for about a quarter of total revenue. The amount each customer spends keeps heading steadily upward, from $2.51 in 2004 to $3.09 in 2008.
- Despite all indications to the contrary, theaters are reluctant to crack down too hard on the ringing cell phone or the distracting glow of a text message during a movie. They are afraid of customer backlash from the younger audiences who are primarily responsible for these disruptions. Kerasotes Theatres, a Midwest chain with 94 theaters, has tried to balance this somewhat, however, offering an escape from rowdy crowds with its "enchanted evening" policy. At select locations on Friday and Saturday nights, no one under the age of 17 is permitted without an adult into movies that start after 9 p.m.
- Protect your hearing. Individual theaters' decibel levels vary, but special effects-laden action flicks, for example, can hit the same dangerous territory as a loud rock concert, thus potentially contributing to hearing loss, according to the Center for Hearing and Communication.
- Theaters traditionally bring in 40 percent of their yearly revenue in just three months: May, June and July. The winter holidays are another big period for box office revenue. Things are slowly changing, however, as studios seek to spread their quality releases more evenly throughout the year.
I'm not sure that there is anything shocking or surprising here, but this Blind Bambi found it interesting and wanted to share.